When Ramesh Sippy brought Sholay in 1975 fifty years ago, she was considered a cruel violence film. There was a lot of debate. Where is Hindi cinema going? Etcetera. But even then the director had saved condolences with great understanding in every scene of the voice. For example, when Gabbar Singh takes up arms to cut both hands of Thakur and the scream of Thakur is heard-‘Nay SSS’, after that neither the severed hand is shown waving in the air nor the blood-soaked Thakur. Similarly, when Gabbar taunts Thakur’s grandson and presses the trigger, then the engine of the train is shown in the next shot. Neither the body of the innocent body is shown nor the bullet fired.
Director Ramesh Sippy and writer Salim-Javed made Sholay a classic cinema in the way the same cuts saved the sensation among those cuts. But by coming to Sunny Deol Ki Jat, what is the hand in films, human head is being separated from her body… and no one objections to her. After all, where did this trend of voice came from in today’s cinema, which is gradually becoming a Danger?
Sunny Deol was offered by making a bulldozer
Sunny Deol’s Jat film is the director of Gopichand Malineni, has recognition in Telugu cinema, is about forty -five -year -old youth filmmaker, has been making films since 2010, has made about eight films so far, most of them are action drama films. In his Telugu films, he has made countless bullets on screen, he has made bloodshed. And now he has made a Pan India action drama with Bollywood superhero Sunny Deol. Once upon a time, Sunny Deol, who was called a very slow actor, has won the title of bulldozer actor today.
They can uproot all those who are seen in front of them. The first hand pump was uprooted in Gadar forest, high -tension in Gadar Two uprooted the electric pole and now from the roof hanging from the roof to the huge building. That is why Sunny has also been called a bulldozer in this film. This bulldozer can destroy any wall.
Where did the effect of cutting head in cinema come from?
In Jat, Sunny Deol, a twenty -five -year -old Sunny Deol, has many such scenes which are a sign of danger for the future of Hindi cinema. To what extent our cinema has started portraying violence, it is going to awaken. In 2023, Ranbir Kapoor-Bobby Deol’s Animal gained popularity by serving the violent scenes, now the films that come after that have started crossing its voice level.
The race is about who can show how much violence. Who can blow so many necks. Animal was also written and directed by Sandeep Reddy Wanga, a well -known name of Telugu cinema. The new beginning to show violence and loaming grandeur in the back, which started from Prabhas’s Bahubali in the year 2015, he is seen going to his peak in Jat. It is difficult to say how far it will stop.
Recently, a film I-woman 2: Terror of Sarkate. However, it was a comedy horror film. In the film, a Sarkata keeps scaring people. We laugh at seeing him. But in action drama films, the scene of head cutting has shocked the heart. Cinema is a fair of love, it is called Megamol of entertainment, in which there are politics and crimes along with the plurality of love, love, sensation, society, relationships, but the sir is separated from the body, but at the same time, the cinema of many people can make a place in the hearts of many audiences?
Blood in the name of showing might
By the way, the story of the film Jat is very unique. No question should be raised on its plot because the issue of its soil, its water, its wealth and its homeland is very strong in it. Our films have mighty heroes because they protect them. But alone, hero Sunny Deol and Villain Randeep Hooda’s group created a struggle with so much and gruesome violence that the audience is forced to curse him in many places.
In the film, Randeep Hooda plays the former Deputy Commander of Jaffna Tiger Force, Ranatunga, who is related to a terrorist group. Not only on its own but also with his family and his force fighters enters India and occupies the villages on the strength of weapons.
During this time, he shows the scream of violence as a orgy of violence. With his sharp weapons, he blows someone’s hands, someone’s feet, some torso and someone’s neck. And all this is shown openly on the screen. How many murders committed in the film Ranatunga cannot be counted. Whoever refuses to give him land in the village cuts his throat. On the screen, the blood -soaked head is also shown to be separated from the body. Not once many times. Once the weapon goes from the left to right, then it cuts the throat and then when the left weapon rotates from the right, the throat sands.
Ranatunga’s wife also cuts the neck
Ranatunga children and women do not spare either. If he hits the child from the mother’s lap, he hangs in his hand, then it seems as if a dreaded animal in the forest was running away with the child of another creature. Not only Ranatunga in the film, but his brother Somulu (Vineet Kumar Singh), his wife Bharti (Regina Casendra) and her Amma (Zarina Bahaw) also specialize in weapon. Like Ranatunga, his wife also blows the necks of the villagers coming on the way. In a film, such cruel violence has rarely seen such cruel violence at the hands of a female character.
After this comes the turn of our hero Jat. He is actually a brigadier of the Jat Regiment. The name is- Baldev Pratap Singh. That is why he repeatedly calls himself a Jat, farmer, jawan and talks about teaching a lesson to the enemies of the country like Ranatunga. The train from which he is going from Chennai to Ayodhya stops for some reason on the way.
He then gets off the train and goes to a dhaba nearby to eat, from where he slowly enters Ranatunga’s network and gets information about his black exploits. But the shocking thing is that in the end when the Jat takes revenge from Ranatunga, in this sequence, he too starts strangling the people of his group in the same way as Ranaatunga caused havoc.
Where will the Danger trend of fierce violence stop?
In this way, there is no account of how many necks are shown cutting in the film Jat. The question arises is bound to arise, where the trend of showing blood -soaked violence on the film screen is increasing, where is it taking our cinema. This is the murder of entertainment. How such films leave the impact on the public and how memorable they are going to be. This condition is not limited to animal or Jat only. There are many films between these two films in which the head is shown to separate the body on the screen.
After the animal, Kill has crossed the limits of cruelty inside the train- blood on the screen is blood. This was followed by Nithilan Saminathan’s film Maharaja, in which Anurag Kashyap was also acted or Salman Khan’s Alexander, which was also directed by South Director AR Murugados, was shown to be fierce violence in both films. Where will this Danger Trend stop.
Also read: Why the number of blockbuster films is decreasing, the audience was absent from the cinema hall