Film journalist C N Lakshmikanthan was murdered in 1944 for writing scandalous stories of Tamil film stars. M K Thyagaraja Bhagavathar (MKT) and N S Krishnan, the two stars of the era, were arrested in the case.
They were later acquitted. Though in the closing credits, the makers acknowledge sources from three works of art, ‘Kaantha’ has references to the life and downfall of MKT, the first superstar of Tamil cinema.
It begins with a murder, setting the tone for the rest of the story. Ayya (Samuthirakani), a legendary director, is trying to make a movie ‘Shaantha’. Things get complicated when the producer insists he bring in T K Mahadevan (Dulquer Salmaan), a famous star. ‘Kaantha’ revolves around the strained relationship between Ayya and Mahadevan, who was once Ayya’s protégé. Ayya uses Raja Kumari (Bhagyashri Borse), the film’s heroine, to bring Mahadevan down a peg. This sets off a chain of events changing their lives.
The film delves into the darker aspects of fame, exploring themes of ego, emotional turmoil, revenge, and the blurring of moral lines. It portrays the psychological unraveling that can come with success, leaving the characters questioning their own sanity and values.
Stunning visuals perfectly capture the essence of 1950s Madras. The recreated studios, songs, and scandals transport the audience back in time. Jhanu Chanthar’s sound design and Dani Sanchez-Lopez’s cinematography perfectly capture the essence of the era. The composition, seamlessly blends period melodies with a haunting background score amplifying the psychological tension.
Dulquer delivers his career’s best performance. Samuthirakani is compelling with his restrained acting, while Rana Daggubati and Bhagyashri are convincing.