“The one common factor between all these great artistes of our time was that they were all simple human beings without a nasty bone in their system. On this note, I recall Rafi Saab’s famous song composed by Sachin Dev Burman and penned by the late Kaifi Azmi Sahab…Dekhi zamane ki yaari, bichhde sabhi bari bari…”
Beginning her musical journey at the tender age of 10, Padma Vibhushan Asha Bhosle has built an illustrious career spanning over eight decades. A force to reckon with, she is celebrated for her immense talent, versatility, and, above all, her remarkable ability to adapt and evolve with the times. A Guinness World Record holder for being the most recorded artist in music history, Asha Bhosle’s enduring legacy is not just rooted in her distinct voice or range—but in the indomitable spirit that continues to define her and her longevity. As she turns 92, she opens her heart, reminiscing about a legendary journey and the timeless landmarks along the way in a heartfelt exclusive with Bombay Times.
‘Quite contrary to my public image, I am reclusive’
I am 92-years-old and I take this opportunity to thank all my well-wishers who have supported me in my long journey. Had it not been for your love, I wouldn’t have made it this far. Every time I hear your applause, it pushes me to go further and test uncharted territories in this vast ocean of music and art. Quite contrary to my public image, I am reclusive at heart. I am shy to discuss my achievements because I have so much more to learn in so little time.
‘Cinema’s popularity brought an end to the golden era of theatre’
Prior to the advent of cinema (silent cinema then talkies), the only public entertainment platform was theatre. My wonderful actor, singer, composer and writer father, Master Dinanath Mangeshkar owned his own travelling theatre company. I, along with my four siblings ( Lata Mangeshkar , Usha Mangeshkar, Meena Khadikar and Hridaynath Mangeshkar) travelled with the theatre company all over India where my father performed these grand musicals to a rapt audience. Therefore, I grew up in an atmosphere of music and the performing arts. It was great that Dadasaheb Phalke laid the foundation of cinema in India but as cinema rose to prominence over the years, our theatre company sadly folded. Soon after, my father passed away in 1942 at the height of The Quit India Movement.
‘Looking back: How my journey began’
In 1943, World War II was raging in Europe and that’s when I recorded my first Marathi song at the age of 10. Around this time the Battle for Stalingrad in Russia was in full swing. My first record label read ‘British India’. World War Two era was one of rationing and hardships and we often slept on empty stomachs. I remember attending a political rally at Shivaji Park in Mumbai where I first saw Mahatma Gandhi and I was very impressed by his speech and other leaders such as Jawaharlal Nehru, Sardar Patel and Abdul Ghaffar Khan. The partition of India in 1947 was a painful experience for many Indians, but we managed to live through that as well.
‘Sometimes I recorded as many as seven songs a day’
When I moved to Mumbai, (then Bombay), the British had left it in pristine shape. It was a grand city, and I was in awe of it. I loved travelling on trams, trains and buses hopping from one studio to the next. Working in the emerging music industry (termed Bollywood today) was full of new experiences. As people heard me sing, more work came my way. Sometimes I recorded as many as 7 songs a day. Years later, I was informed that I had got a mention in the Guinness World Records as the most recorded artist (around 11,000 songs). Honestly, I did not work to break any records.
‘My husband Rahul Dev Burman was the finest musical genius of our times’
Music evolves every decade or so. According to me, the first music composer who brought a new exciting western sound to Hindi cinema was C Ramchandra. He experimented with Rock and Roll and took a leaf out from Bill Haley and Elvis Presley’s style of music. Suddenly, that was a rage, and I adapted to this western style to keep up with the
times. Then came OP Nayyar with his rustic Punjab folk music sound which went through the roof. I adapted to this style as well and remained relevant. Post OP Nayyar, came the finest musical genius of our times; my late husband Rahul Dev Burman (a prince by birth from the royal family of Tripura, but an Emperor by his deeds). RDB’s revolutionary style of compositions, sound, technique are admired even today. RD Burman passed away in 1994 and a year later in 1995, another musical genius AR Rahman unleashed a fresh new brilliant sound on an unsuspecting audience through Rangeela. When I sang Rangeela Re and Tanha Tanha Yahan Pe Jeena for him, I was 62 years old! I thank ARR for bringing the best out of an elderly person.