Indian television in the early 2000s was deeply rooted in the social and cultural fabric of the country. Even so, it was relentlessly dynamic, marked by swoon-worthy romances and high-stakes drama. It gave us familiar faces who became shorthand for an entire era of Indian television. Having made her debut in early 2007 as ‘Kinjal Pandey’ in Kahe Naa Kahe, Krystle D’Souza was most certainly one of them. Nearly two decades later, with her striking appearance in ‘Shararat’ from Dhurandhar introducing her to a new audience, D’Souza is still finding ways to surprise people.
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“Growing up, I was fascinated by how films and television could make people feel so many different emotions,” she says. She began her acting journey while she was a student at St. Xavier’s College in Mumbai. Nearly two decades later, she’s one of television’s most recognisable names. “What I love most is the opportunity to step into different lives and keep learning with every role. For me, acting is all about telling stories that connect with people and make them feel something,” D’Souza reveals.
On Roles That Are Bigger Than Pigeonholes
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While Kahe Naa Kahe marked her debut, it was her breakout performance as ‘Jeevika’ in Ek Hazaaron Mein Meri Behna Hai (2011) that earned her widespread recognition and acclaim. From ‘Tamanna’ in Kya Dill Mein Hai (2007) to Raina in Ekta Kapoor’s Brahmarakshas (2016), D’Souza has built a career around characters that are emotionally nuanced and distinct from one another.
Kapoor, known for creating some of Indian television’s most iconic and memorable female protagonist roles, has been a pivotal part of D’Souza’s journey. “She’s had one of the biggest influences on my journey,” she says. Playing strong, female-led characters is especially meaningful to her. “I love being part of stories that portray women as strong, layered, and real. If a role can entertain while also making people think or spark a conversation, that’s always a bonus,” she says. For D’Souza, the pursuit isn’t simply to stay relevant but to keep evolving as a storyteller.
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D’Souza comes across as someone who is determined to move beyond the boxes actors are often placed in. That is most evident in her move from television to OTT platforms and the silver screen. “Talent isn’t defined by the medium you come from. Whether it’s television, films, or OTT, a good actor is a good actor. I think we’re slowly seeing that change, and it’s great to be part of that shift.” she explains.
D’Souza made her debut on the big screen with the Hindi film Chehre (2021) alongside Emraan Hashmi and Amitabh Bachchan. “Working with Amitabh Bachchan was a masterclass in itself. His dedication, even today, and his versatility are truly inspiring,” she gushes when we ask her about her experience. It’s easy to see why.
More recently, D’Souza’s appearance in ‘Shararat’ from Dhurandhar garnered a whole new fanbase and renewed appreciation for her screen presence. And she’s only beginning to explore what’s possible. “Dhurandhar definitely feels like a special milestone. ‘Shararat’ happened very organically, and from the moment I heard it, I knew I wanted to be a part of it. The response to the hook step and the song has been overwhelming, and it’s introduced me to a whole new audience,” she says. Yet for her, the response is only one part of the journey.
On Fame, Staying Grounded, And Moving Beyond Acting
For someone who has spent nearly two decades in the public eye, D’Souza has learnt to navigate the highs and lows of fame with a kind of groundedness and honesty that stays true to her work, above all. “I’ve always looked at fame as a by-product of doing what I love, not the goal itself,” she says. Beyond the film sets, choreographed dance routines, and red-carpet glam, there is a Dsouza who is self-admittedly goofy and easy-going, and who loves nothing more than a good laugh every once in a while. “What keeps me grounded is my family, my close friends, and the reminder that there’s always more to learn. At the end of the day, it’s the work that lasts, not the noise around it,” she says.
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By her own admission, D’Souza’s journey so far has been a beautiful rollercoaster, full of highs, lessons, surprises, and a whole lot of growth. Her best lesson so far? “One lesson I truly live by is that you can’t control everything; you can only control how you show up. Once I stopped trying to force things and started trusting the process, life and work became a lot more fulfilling.” Today, D’Souza is driven by an innate curiosity and a desire to surprise herself and the audience with every story she’s a part of. “I genuinely love what I do, and knowing there’s always another story to tell, another role to explore, and another version of myself to discover keeps me going,” she reveals.
Her years as an actor have also deepened her understanding of confidence, beauty, and self-expression. It is no surprise, therefore, that if she weren’t acting, D’Souza would most certainly be building something of her own in the beauty space. “Today, beauty is so much more about confidence, individuality, and how you feel in your own skin than chasing perfection. Building my own beauty brand is definitely something I see in my future. But if I do it, I want it to be more than just another makeup line. I’d want to create products that make people feel confident and celebrate individuality,” she says.
But until then, she’s chasing the next story to tell, sleeping in, and daydreaming for the ultimate reset.
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Team Credits:
Editorial Director: Ainee Nizami Ahmedi, Photographer: Argha Sarkar, Stylist: Hardika Singh, Asst. Art Director: Shrushti Sudhakar (Cover Design), HMUA: Nikita Chamling, Producer: Riya Chaudhary, Fashion and Editorial Production Manager: Rasikka Deorey, Assisted by: Muskan Mehta (Styling), Shawnn Lourdess(Art Direction), Artist Reputation Management: Splendid PR